The Vienna Phil brings Bruckner and Mozart to Berlin

By Hugo Shirley, 20 December 2018

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“the sheer unity of purpose throughout Bruckner's grand score was mightily impressive”

Reviewed at Konzerthaus: Großer Saal, Berlin on 18 December 2018

Mozart, Flute Concerto no. 1 in G major, K313 (K285c)

Honegger, Danse de la chevre, H 39

Bruckner, Symphony no. 7 in E major, WAB 107

Karl-Heinz Schütz, Flute

Vienna Philharmonic

Riccardo Muti, Conductor

Shared language and living history: Zubin Mehta and the Vienna Phil

Chanda VanderHart, 19th March

Zubin Mehta, Pinchas Zukerman and the Vienna Philharmonic meet in repertoire they know intimately, illuminating it through mutual understanding.

*****

Vienna Philharmonic closes Carnegie residency

Edward Sava-Segal, 1st March

Andris Nelsons pairs Richard Strauss’ Also sprach Zarathustra with Sibelius’ Second Symphony to conclude the Vienna Philharmonic's latest Carnegie Hall residency.

****1

Contemplation and exuberance: Vienna Philharmonic at Carnegie Hall

Susan Stempleski, 28th February

Andris Nelsons conducts the Vienna Philharmonic in the New York premiere of a solemn, modernist work paired with two high-spirited symphonies from the 18th and 19th centuries.

****1

A vanished Old World with the Vienna Philharmonic in Hamburg

Mengguang Huang, 20th January

A Vienna Philharmonic evening conjures a vanished world: Strauss’ muscular drama and intimate humour, Haydn’s inward gravity and a graceful waltz to close.

****1

The Vienna Philharmonic explores Central Europe with Jakub Hrůša

Chanda VanderHart, 11th December

At the Konzerthaus, the Vienna Philharmonic travels across the Austrian borders with Jakub Hrůša into the varied sound worlds of Hungary, Bohemia and Moravia.

****1

Thielemann and the Vienna Philharmonic’s Bruckner 5 in Seoul

SangKwon Lee, 20th November

A tightly focused and cohesive Bruckner Fifth Symphony at the Seoul Arts Center as Christian Thielemann and the Vienna Philharmonic continue their Asian tour in compelling fashion.

*****

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Hugo Shirley

Hugo Shirley is a Berlin-based writer and musicologist. He has written widely as a critic in the UK, including for The Spectator, the Financial Times and Daily Telegraph, and has held editorial posts at both Opera and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and has a PhD in musicology from King's College London, where his thesis focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.

Musical wonders: the Vienna Philharmonic brings Bruckner and Mozart to Berlin