Socking the audience between the eyes

By James Imam, 08 August 2017

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“the brawny Philharmonic were whipped into a deafening howl of rage”

Reviewed at Großes Festspielhaus, Salzburg on 7 August 2017

Prokofiev, Piano Concerto no. 2 in G minor, Op.16

Shostakovich, Symphony no. 7 in C major, "Leningrad" Op.60

Daniil Trifonov, Piano

Vienna Philharmonic

Andris Nelsons, Conductor

Wrangling the octopus: Mahler’s Ninth with Sir Simon Rattle

Chanda VanderHart, 17th April

Less a symphony, more a force of nature, Sir Simon Rattle conducts the Vienna Philharmonic in a turbulent, yet spacious reading of Mahler's Ninth Symphony in the Musikverein.

****1

Shared language and living history: Zubin Mehta and the Vienna Phil

Chanda VanderHart, 19th March

Zubin Mehta, Pinchas Zukerman and the Vienna Philharmonic meet in repertoire they know intimately, illuminating it through mutual understanding.

*****

Vienna Philharmonic closes Carnegie residency

Edward Sava-Segal, 1st March

Andris Nelsons pairs Richard Strauss’ Also sprach Zarathustra with Sibelius’ Second Symphony to conclude the Vienna Philharmonic's latest Carnegie Hall residency.

****1

Contemplation and exuberance: Vienna Philharmonic at Carnegie Hall

Susan Stempleski, 28th February

Andris Nelsons conducts the Vienna Philharmonic in the New York premiere of a solemn, modernist work paired with two high-spirited symphonies from the 18th and 19th centuries.

****1

A vanished Old World with the Vienna Philharmonic in Hamburg

Mengguang Huang, 20th January

A Vienna Philharmonic evening conjures a vanished world: Strauss’ muscular drama and intimate humour, Haydn’s inward gravity and a graceful waltz to close.

****1

The Vienna Philharmonic explores Central Europe with Jakub Hrůša

Chanda VanderHart, 11th December

At the Konzerthaus, the Vienna Philharmonic travels across the Austrian borders with Jakub Hrůša into the varied sound worlds of Hungary, Bohemia and Moravia.

****1

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James Imam

James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.

Socking the audience between the eyes: Nelsons and Trifonov at the Salzburg Festival