Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.
The Teatro La Fenice reprises Joan Anton Rechi’s production in its full stage version, less inspiring than the one expanded through the whole theatre during Covid times.
Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.
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