Deliverance Deferred: Rotterdam Philharmonic Orchestra's Verdi Requiem

By Jenny Camilleri, 19 May 2014

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“With graceful hands he shaped vocal and instrumental phrasing, eloquently using rests and pauses”

Reviewed at De Doelen: Grote Zaal, Rotterdam on 17 May 2014

Verdi, Messa da Requiem

Rotterdam Philharmonic Orchestra

Yannick Nézet-Séguin, Conductor

Camilla Nylund, Soprano

Karen Cargill, Mezzo-soprano

Bryan Hymel, Tenor

Mikhail Petrenko, Bass

Collegium Vocale Gent

Intimate colossus: Daniil Trifonov with the Rotterdam Philharmonic

Max Lima, 21st May

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores.

****1

Daniel Lozakovich makes his debut with the Rotterdam Philharmonic

Clare Varney, 9th October

Tarmo Peltokoski searches in vain for the harsh brutality in Shostakovich's Leningrad Symphony with the Rotterdam Philharmonic.

***11

The real deal: Tarmo Peltokoski conducts the Rotterdam Philharmonic

Clare Varney, 7th November

Truls Mørk joins Tarmo Peltokoski and the Rotterdam Phil for a deeply emotional reading of Shostakovich’s Cello Concerto no. 2.

****1

Brahms forges a friendship: Yannick Nezet-Seguin returns to Rotterdam

Eleanor Knight, 2nd May

Musical connections between Brahms, Dvořák and Price as Randall Goosby joins the Rotterdam Philharmonic – both as soloist and orchestral member.

****1

Stylish Mozart and vibrant Prokofiev from the Rotterdam Philharmonic

Susan Stempleski, 9th March

The renowned pianist glows in Mozart’s Piano Concerto no. 9, while the rising star conductor impresses in selections from Prokofiev’s Romeo and Juliet.

****1

Overcrowding suffocates DNO's Traviata

Eleanor Knight, 27th January

Adela Zaharia is cast as a Violetta for whom the party never stops in this revival of Tatjana Gürbaca's busy staging at Dutch National Opera.

**111

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Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.