A felicitous debut at Carnegie Hall: Nikita Mndoyants

By Edward Sava-Segal, 10 June 2017

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“Mndoyants’ playing was quite mercurial, capturing the music’s unbridled imagination.”

Reviewed at Carnegie Hall: Weill, New York City on 7 June 2017

Beethoven, 6 Bagatelles for piano, Op.126

Schumann, Davidsbündlertänze, Op.6

Mndoyants, Variations on a Theme by Paganini

Prokofiev, Piano Sonata no. 8 in B flat major, Op.84

Nikita Mndoyants, Piano

Black American music finds a new voice at the Concertgebouw

Clare Varney, 18th June

Dutch premieres, new faces and new arrangements result in a concert quite unlike any other from the Royal Concertgebouw Orchestra under Antony Hermus.

****1

Apollonian radiance and women scorned: the Britten Sinfonia at Snape

Roy Westbrook, 18th June

Hell holds no fury like a woman scorned, and it was certainly so in Greek mythology, celebrated in this outstanding Aldeburgh Festival performance by the Britten Sinfonia and Helen Charlston.

*****

Improvisatory Gershwin from Ryan Wang with Chromatica Orchestra

Nick Boston, 17th June

Energetic yet atmospheric performances from Chromatica Orchestra, with Ingunn Korsgård Hagen providing firm yet spirited direction.

****1

A perfect landing with Harding and the Mahler Chamber Orchestra

Mengguang Huang, 17th June

Håkan Hardenberger joins the Mahler Chamber Orchestra and Daniel Harding for a thrilling night concluding with a breathtaking, high-energy Beethoven Four.

****1

Poise over fire: McGegan, Chen and the Orchestra of St Luke’s

Edward Sava-Segal, 16th June

A late substitution turns a violinist-led showcase into a polished, orchestra-centred Bach Festival evening at Carnegie Hall.

***11

Quatuor Diotima and Stéphane Degout haunt Wigmore Hall

Christopher Woodley, 15th June

An enterprising trio of works by Ligeti, Respighi and Schoeck leave a lasting impression of oppression, alienation and dark nights of the soul.

*****

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

A felicitous debut at Carnegie Hall under the double sign of Florestan and Eusebius: Nikita Mndoyants