Northern Ballet's Little Red Riding Hood: a fully engaged audience

Julie Nunès as Little Red and Northern Ballet in Little Red Riding Hood

Julie Nunès as Little Red in Mariana Rodrigues’ Little Red Riding Hood

By Daniel Pratt, 27 October 2025

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“introducing children to live performance is an essential part of our cultural offerings”

Reviewed at Royal Opera House: Linbury Theatre, London on 23 October 2025

Little Red Riding Hood (Mariana Rodrigues)

Northern Ballet

Marjoke Henrichs, Set Designer

Mariana Rodrigues, Costume Designer

Abbi Fearnley, Lighting Designer

Julie Nunès, Dancer

Noah Benzie-Drayton, Dancer

Kaho Masumoto, Dancer

Albert González Orts, Dancer

Royal Ballet School, School of American Ballet: the future is bright

Amanda Jennings, 18th June

An evening of outstanding dancing from the Royal Ballet School and the School of American Ballet. It was a case of spotting tomorrow’s stars in a beautifully balanced programme.

*****

The Royal Ballet School at the Linbury: innovation and quality

Maggie Foyer, 16th June

The Royal Ballet School performing as part of the Next Generation Festival, offered a host of works by both students and internationally renowned choreographers which proved to be highly enjoyable.

*****

Tulsa Ballet at the Linbury: an unforgettable, punchy UK debut

Deborah Weiss, 13th May

A stupendous London debut from Tulsa Ballet in which they present a contrasting triple bill. It bodes well for further invitations to dance in the UK.

*****

Two funerals and a bedding at the Linbury Theatre

Eleanor Knight, 1st May

Tales of love and loss as operas by Elena Langer, Charlotte Bray and Elizabeth Maconchy form a varied triple bill in this showcase for The Royal Opera’s Jette Parker Artists.

****1

International Draft Works at the Linbury brought much to delight

Amanda Jennings, 16th April

The Royal Ballet's International Draft Works proved to be an excellent opportunity to see dancers and budding choreographers from around the world.

****1

The Turn of the Screw at RBO Linbury: Darkness and denial

Eleanor Knight, 26th March

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

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Daniel Pratt

Daniel Pratt trained in London, England, attending the Royal Ballet School Associates program before completing his vocational training at Central School of Ballet where he gained a BA (hons) in Professional Dance and Performance. Daniel joined The Sarasota Ballet in 2012, dancing a broad range of works including ballets by Ashton, Balanchine, MacMillan, and modern works by Taylor, Graham and Tharp. Daniel has also performed with Northern Ballet and English National Ballet. Daniel’s writing on dance has appeared in The Dancing Times and Tanz Magazine. Daniel currently serves on the board of the American Guild of Musical Artists.