Andrée-Anne Ratthé's Branché? reinvents the active audience

The Studio Hydro Québec at Montreal’s Monument National is already an intimate space where, tonight, the seating has been rearranged to draw the viewers even closer into the performance.

Parts + Labour_Danse is a new dance company, emerging from the Montreal dance scene in 2011 through the collaboration of Emily Gualteri and David Albert-Toth. With the double bill presented this weekend, comprised of two highly reflective works, Parts + Labour_Danse are establishing a clear identity based on profound affectivity and exploratory movement.

Dada Masilo wanted her audiences to feel the passion and to leave the theatre with a buzz. In her Hamlet, the commitment of the cast ensures this message still holds true.

Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

A collection of tributes to former world class tap dancers alongside some new works that clearly thrilled the capacity audience at the Joyce Theater.