Andrée-Anne Ratthé's Branché? reinvents the active audience

The Studio Hydro Québec at Montreal’s Monument National is already an intimate space where, tonight, the seating has been rearranged to draw the viewers even closer into the performance.

Parts + Labour_Danse is a new dance company, emerging from the Montreal dance scene in 2011 through the collaboration of Emily Gualteri and David Albert-Toth. With the double bill presented this weekend, comprised of two highly reflective works, Parts + Labour_Danse are establishing a clear identity based on profound affectivity and exploratory movement.

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

English National Ballet presents a double bill of contrasts at Sadler’s Wells with startlingly mixed results, not all positive.

Two new works by Alexander Whitley, Mirrors and The Rite of Spring, explore society’s increasing dependency on AI in dance.

In their penultimate stop on a US tour, Ailey's second company produced exceptional performances in an Ailey classic and four handsome new works.