The Fulham Ring concludes with Götterdämmerung

Verdi's rarely-performed masterpiece gets an intense, intimate outing with a very fine cast at Fulham Opera.

Daisy Evans' dystopian, immersive Dutchman for Fulham Opera may be tough medicine – but, with such glorious singing on offer, it's an unmissable chance to step into Wagner's soundworld. 

Ben Woodward, in his superb musical act of reduction with Fulham Opera at St John's Church, Fulham, has brought us a Ring of eyewatering clarity, raw beauty and visceral power. Cancel everything, and go. 

Fulham Opera's intense, beautiful, powerful opening to their Ring cycle at the lovely St John's Church in Fulham was a privilege to watch, and promises well for all remaining nights.

You have to sit in a small Fulham church, on a pretty uncomfortable chair, for at least four hours. And listen to a load of opera singers warbling about dwarves and gold and stuff. From certain perspectives, Fulham Opera’s production of Wagner’s Siegfried doesn’t sound like much fun at all.

For any opera company to mount a Wagner opera is a great undertaking. For a very small semi-professional opera company to mount the entire Ring cycle is a feat of extraordinary daring and perhaps madness. But that is exactly what Fulham Opera has decided to do.