Native Girl Syndrome opens an intimate window on urban reality

As the crowd settle in to their seats before Branché? we hear a mechanical voice asking us to please keep all devices on, take as many photos and videos as your heart desires, and don’t forget to post them live to the official Facebook group.

Parts + Labour_Danse is a new dance company, emerging from the Montreal dance scene in 2011 through the collaboration of Emily Gualteri and David Albert-Toth. With the double bill presented this weekend, comprised of two highly reflective works, Parts + Labour_Danse are establishing a clear identity based on profound affectivity and exploratory movement.

A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.

Six works, including two world premieres, made up the latest program from Parsons Dance. Thoroughly joyful, the audience were sent home buzzing.

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

17 years after its premiere, Andrea Miller’s BLUSH, set on her company, GALLIM, returned to entrance and perplex in equal measure at New York’s 92nd St Y.