The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.
From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.
Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.
Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.
Penny Homer graduated from the University of Nottingham with a Bachelor of Music degree in 2003, where she was also a choral scholar at St Barnabas Cathedral. She is keenly interested in arts and education, and her work across both includes stints at Akademi South Asian Dance UK and Benslow Music Trust.
Additionally she worked for Edition Peters in their sales department before joining the
Association of British Choral Directors as their Training Manager.
Penny currently sings at Eton Lower Chapel, St Andrews Fulham Fields, Wimbledon Choral
Society, Londinium and Vocal Constructivists, and continues her vocal studies with Ian
Kennedy.
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