The music of Italian convents with Cappella Artemisia

By Rosemary Carlton-Willis, 18 November 2013

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Reviewed at Zuidervermaning, Westzaan on 14 November 2013

Debussy, L'après-midi d'un faune

Debussy, Faun(e)

Lalo, Suite en Blanc

Unknown, New Work

Bizet, L'Arlesienne

Davis, Aladdin

Ravel, Daphnis et Chloé

Messager, The Two Pigeons (Ashton)

Tchaikovsky, Serenade

Stravinsky, Symphony in Three Movements

Various, Bella Figura

Schubert, Without Words

Bach, Multiplicity. Forms of Silence and Emptiness

Cappella Artemisia

Candace Smith, Conductor

Text and textures in New York premieres by The Crossing at Zankel Hall

David Wolfson, 24th March

Donald Nally’s much vaunted chamber choir The Crossing give a program of three New York premieres at Zankel Hall.

****1

Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

*****

Guitars, electronics and ancient treatises: the JACK Quartet at 92NY

Kurt Gottschalk, 20th March

At 92NY, the JACK Quartet performs four new works developed in their JACK Studio, including a commissioned premiere from the electrifying Tristan Perich.

****1

Kristiina Poska makes an exciting return to conduct the RSNO

Simon Thompson, 20th March

Kristiina Poska directs the RSNO in gripping Tchaikovsky and Pärt, but words and music only occasionally match in Elena Langer's new song cycle.

***11

Chopin and Franck reframed with elegance and insight in Dublin

Andrew Larkin, 20th March

In Dublin, Jean-Luc Tingaud and Louis Lortie bring clarity and purpose to two composers often ill at ease with the orchestra.

****1

Jaap van Zweden and the Seoul Philharmonic’s measured Mahler 6

SangKwon Lee, 19th March

That last movement proves the evening’s true point of reckoning in the Seoul Philharmonic's performance of Mahler’s Sixth Symphony at Lotte Concert Hall.

****1

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Rosemary Carlton-Willis

Rosemary Carlton-Willis is a soprano based in the Netherlands. She has one masters degree in Music (Historical Performance) from the University of York, and a second in Singing from the Conservatorium van Amsterdam, where she studied in both the Classical and Early Music departments. She has worked for the York Early Music Festival, the National Centre for Early Music and the Sir Jack Lyons Concert Hall.