In a posthumous premiere of his opera-novel Quicksand at The Kitchen in New York City, Ashley’s ingenuity was awakened by a troupe of artists who understand his work on a spiritual level.
The flute is one of the most venerable musical instruments we have (the earliest archaeological records have been dated to over 35,000 years ago), and as Claire Chase proved Thursday night at The Kitchen in Chelsea, it retains an energy that ensures it will continue to play a vital role in the future of concert music.
Thursday night at The Kitchen, the exceptional new music ensemble Either/Or performed a diverse selection of five works all composed in the past two years.
As I was leaving the upstairs gallery at The Kitchen last Wednesday night, thinking about what to tell you about the performance I had just seen, “You have never seen a game show quite like this” kept coming to mind.Rewind.
Nothing much happens in Adrienne Truscott’s puzzlingly titled ...Too Freedom... (the original title includes a sea of Japanese characters that yours truly, alas, cannot decipher), presented in its world première this past weekend at The Kitchen.
In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into the 21st century deserve to be celebrated, loudly.
Rachel Rizzuto received her BFA in dance performance and choreography from the University of Southern Mississippi. She is currently an editor for Dance Teacher magazine, and she is a founding member of modern dance company Mari Meade Dance Collective.
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