Vicky Shick's Everything You See at Danspace a confusing whirlwind of tiny dances

Wednesday night’s performance by the Trisha Brown Dance Company was momentous for a number of reasons: first, this performance series includes the very last two premières of Ms Brown’s choreography, as she is retiring from the company due to health reasons.

Jin Ju Song-Begin’s evening-length piece Thirst, for her company Da-On Dance, was a strongly-danced interpretation of Dante’s Inferno, though it aped too many contemporary, “serious” dance contrivances – namely, an overwrought emphasis on intensity.Ms Song-Begin was the featured soloist of her own piece, and she was often the highlight.

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen's works. It's a wonderful tribute to the great master choreographer.

Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.

Another tick for the Ballet Nights team, the audience at Cadogan Hall enjoying a varied and exceptional programme of new and legacy works.

National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.