Vicky Shick's Everything You See at Danspace a confusing whirlwind of tiny dances

Wednesday night’s performance by the Trisha Brown Dance Company was momentous for a number of reasons: first, this performance series includes the very last two premières of Ms Brown’s choreography, as she is retiring from the company due to health reasons.

Jin Ju Song-Begin’s evening-length piece Thirst, for her company Da-On Dance, was a strongly-danced interpretation of Dante’s Inferno, though it aped too many contemporary, “serious” dance contrivances – namely, an overwrought emphasis on intensity.Ms Song-Begin was the featured soloist of her own piece, and she was often the highlight.

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

English National Ballet presents a double bill of contrasts at Sadler’s Wells with startlingly mixed results, not all positive.

In their penultimate stop on a US tour, Ailey's second company produced exceptional performances in an Ailey classic and four handsome new works. 

Two new works by Alexander Whitley, Mirrors and The Rite of Spring, explore society’s increasing dependency on AI in dance.