Vicky Shick's Everything You See at Danspace a confusing whirlwind of tiny dances

Wednesday night’s performance by the Trisha Brown Dance Company was momentous for a number of reasons: first, this performance series includes the very last two premières of Ms Brown’s choreography, as she is retiring from the company due to health reasons.

Jin Ju Song-Begin’s evening-length piece Thirst, for her company Da-On Dance, was a strongly-danced interpretation of Dante’s Inferno, though it aped too many contemporary, “serious” dance contrivances – namely, an overwrought emphasis on intensity.Ms Song-Begin was the featured soloist of her own piece, and she was often the highlight.

Anthony Tudor and Merce Cunningham provided the lighter fare in a mixed bill that featured two world premieres from Kevin Iega Jeff, a veteran of the Chicago dance scene, and Julian Donahue, a newer voice.  

In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into the 21st century deserve to be celebrated, loudly. 

Flora unites the Australian Ballet with Bangarra Dance Theatre in a glorious collaboration that traces loss, renewal, resilience, cultural continuity and enduring vitality of the body. 

A reimagining of Pina Bausch's 1978 Kontakthof by Meryl Tankard brings together eight of the original cast members in a unique and poignant revival.