Vicky Shick's Everything You See at Danspace a confusing whirlwind of tiny dances

Wednesday night’s performance by the Trisha Brown Dance Company was momentous for a number of reasons: first, this performance series includes the very last two premières of Ms Brown’s choreography, as she is retiring from the company due to health reasons.

Jin Ju Song-Begin’s evening-length piece Thirst, for her company Da-On Dance, was a strongly-danced interpretation of Dante’s Inferno, though it aped too many contemporary, “serious” dance contrivances – namely, an overwrought emphasis on intensity.Ms Song-Begin was the featured soloist of her own piece, and she was often the highlight.

A bold choice for Northern Ballet, Gentleman Jack is beautifully danced but doesn’t go far enough in celebrating difference, individuality and freedom.

A collection of tributes to former world class tap dancers alongside some new works that clearly thrilled the capacity audience at the Joyce Theater.

Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet. 

A stupendous London debut from Tulsa Ballet in which they present a contrasting triple bill. It bodes well for further invitations to dance in the UK.