Sakamoto and Noto's deceptively simple s packs the Metropolitan Museum's Rogers Auditorium

By Joseph Pfender, 31 May 2013

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Reviewed at Metropolitan Museum of Art, Grace Rainey Rogers Auditorium, New York City on 29 May 2013

Various, s

Ryuichi Sakamoto, Piano

Alva Noto, Electronics

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Hell holds no fury like a woman scorned, and it was certainly so in Greek mythology, celebrated in this outstanding Aldeburgh Festival performance by the Britten Sinfonia and Helen Charlston.

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Joseph Pfender

Joseph Pfender, a PhD student in musicology at NYU, has active research interests in electroacoustic and multimedia performance, perceptual agency, music and folklore, and theorizing orchestration. He has presented work in conjunction with the Metropolitan Opera, and in Athens, Greece.