Explosive performances of stripe associations in Stefanie Nelson's Oddball Zebra at Triskelion Arts

Shannon Gillen + Guests gave a striking display of powerful, virtuosic dance, but I’m beginning to find that such a performance is no longer a rarity; the unique performance is that which offers not only undeniable technical prowess but also dynamics and an emotional connection.

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

English National Ballet presents a double bill of contrasts at Sadler’s Wells with startlingly mixed results, not all positive.

Two new works by Alexander Whitley, Mirrors and The Rite of Spring, explore society’s increasing dependency on AI in dance.

In their penultimate stop on a US tour, Ailey's second company produced exceptional performances in an Ailey classic and four handsome new works. 

A tremendous triple bill comprising Jiří Kylián's 27’52” and two new works by Robert Bondara and Marco Goecke. The programme unfolds as a meditation on transience, instability and the unpredictability of human life.