NYCB: Justin Peck revisits the familiar in Mystic Familiar

Joseph Gordon in Alexei Ratmansky's Solitude

Mira Nadon, Chun Wai Chan and the Company in Alexei Ratmansky's Solitude

Aarón Sanz and Jules Mabie in Caili Quan's Beneath the Tides

Taylor Stanley in Justin Peck's Mystic Familiar

New York City Ballet in Justin Peck's Mystic Familiar

By Ivy Lin, 11 May 2025

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“a remarkable performance from Gordon, who uncovers emotional depths I had never seen in his dancing”

Reviewed at Lincoln Center: David H Koch Theater, New York City on 10 May 2025

Beneath the Tides (Caili Quan)

Solitude (Alexei Ratmansky)

Mystic Familiar (Justin Peck)

New York City Ballet

New York City Ballet Orchestra

Mira Nadon, Dancer

Sara Mearns, Dancer

Ashley Hod, Dancer

Alexa Maxwell, Dancer

Joseph Gordon, Dancer

Indiana Woodward, Dancer

Unity Phelan, Dancer

Preston Chamblee, Dancer

Taylor Stanley, Dancer

Naomi Corti, Dancer

Emily Kikta, Dancer

Peter Walker, Dancer

Tiler Peck, Dancer

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)