Il Racconto di Mezzanotte: a bewitching evening with Marco Beasley

By Rosemary Carlton-Willis, 28 October 2013

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Reviewed at Muziekgebouw aan’t IJ: Main Hall, Amsterdam on 23 October 2013

Dufay, Vergene bella

Works by Traditional

Marco Beasley, Tenor

More gold than corn: María Dueñas plays Korngold at the Barbican

Mark Pullinger, 22nd May

The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.

****1

Intimate colossus: Daniil Trifonov with the Rotterdam Philharmonic

Max Lima, 21st May

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores.

****1

The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Mark Valencia, 21st May

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

****1

Heavenly Mahler – and Strauss – from Lucy Crowe and the LSO

Roy Westbrook, 21st May

Songs and symphonies from Sir Simon Rattle and the London Symphony Orchestra, concluding with a vision of “heavenly life” from Gustav Mahler.

****1

Conviction, passion and clarity: Sir Stephen Hough at Wigmore Hall

Christopher Woodley, 19th May

Fragments by Brahms, Schoenberg and Schubert orbit Beethoven's Waldstein and Schumann's Carnaval in another masterful recital from Sir Stephen Hough.

****1

Spellbinding Gewandhausorchester Leipzig in Vienna’s Musikverein

Chanda VanderHart, 18th May

In Rachmaninov's Second Piano Concerto, Yulianna Avdeeva commands attention through sheer innate charisma, anchored in intense engagement.

*****

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Rosemary Carlton-Willis

Rosemary Carlton-Willis is a soprano based in the Netherlands. She has one masters degree in Music (Historical Performance) from the University of York, and a second in Singing from the Conservatorium van Amsterdam, where she studied in both the Classical and Early Music departments. She has worked for the York Early Music Festival, the National Centre for Early Music and the Sir Jack Lyons Concert Hall.