National Ballet of Japan has revived Sir David Bintley’s Aladdin for the first time in five years and it shows how the company has developed since the premiere in 2008.
National Ballet of Japan successfully performs two very different pieces, George Balanchine's Theme and Variations and David Bintley's Still Life at the Penguin Café, amid the ongoing COVID-19 crisis.
New Year Ballet displayed the versatility of the National Ballet of Japan, from the 19th-century classic Paquita, to three works by Japanese choreographers and David Bintley's “Still Life” at the Penguin Café.
Erin Johnson is a postgraduate student at London Contemporary Dance School, and an avid writer. She holds two bachelor degrees from the University of Washington, one in journalism and the other in dance.
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