The body is a compass dividing space: The heady world of Wayne McGregor's Atomos

By Jaime Robles, 14 October 2013

Loading, please wait...

Reviewed at Sadler's Wells Theatre, London on 9 October 2013

Atomos (Wayne McGregor)

Company Wayne McGregor

Woolf Works for The Royal Ballet: reaching poetic depths

Maggie Foyer, 17th January

Woolf Works returns to Royal Opera House stage showcasing some of Wayne McGregor’s best choreography and a roster of exceptional performances.

****1

Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

****1

Wayne McGregor’s Jocasta’s Line offers powerful performances

Maggie Foyer, 13th September

A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

****1

McGregor’s Deepstaria explores the deepest recesses of the oceans

Graham Watts, 27th February

A visually striking and thought-provoking work requiring continual concentration to absorb.

***11

The Royal Ballet: MaddAddam is carried by sublime performances

Amanda Jennings, 14th November

The combination of spectacular backdrops and evocative film projections are visually stunning and the dancers are superb, but Wayne McGregor's MaddAddam is difficult to follow.

***11

Uneven Woolf Works is a strong vehicle for a legendary ballerina

Ivy Lin, 28th June

Final verdict on Woolf Works? It’s sprawling, uneven, with parts that are thrilling and other parts that are prosaic and shallow.

***11

More reviews...

Jaime Robles

Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.