Of Man and Beast: Company Chameleon's successful afternoon dance at the Southbank

Company Chameleon’s performance at the Royal Opera House demonstrated that the founding dancers’ concerns, at least in this programme, are about human interaction on a social and mythological level.

Clever and fascinating movement in a short piece made by creatively using the opportunities offered by the dancers’ disabilities. A perfect example of people being “differently able”, extending the possibilities and creativity of their dance.

Dada Masilo wanted her audiences to feel the passion and to leave the theatre with a buzz. In her Hamlet, the commitment of the cast ensures this message still holds true.

Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

A bold choice for Northern Ballet, Gentleman Jack is beautifully danced but doesn’t go far enough in celebrating difference, individuality and freedom.