Filmless scores: Chamber Music International in Dallas

The underground crypt came alive with hymns and avowals for piano and cello in a program entitled “The Instant and the Eternal”.

On Sunday evening the JACK Quartet, seemingly ubiquitous in new music circles, performed an enlightening array of musical styles at (Le) Poisson Rouge, joined by rising young cellist Joshua Roman. The thoughtful programming was almost as chronologically diverse as it could have been.

If there was any sense that the Marin Alsop was at the end of a particularly harried week for her, she displayed no signs of it at her “Casual Friday” concert with the Los Angeles Philharmonic on Friday 2 November. The Baltimore-based conductor found herself at the center of the headlines last week – albeit for reasons she probably would have preferred to have passed up on.

Romantic works are rendered with passion by young conductor James Feddeck and the Chicago Symphony Orchestra.

A modern piece inspired by Brahms, and two of the composer's masterworks are rendered in fine fashion by Semyon Bychkov and the CSO.

Pierre Boulez builds a deceptively brilliant program featuring works by Stravinsky, Debussy, and Ravel, and the Chicago Symphony Orchestra follows through on its execution.