Thrilling New Work by Women for Oregon Ballet Theater

By Carla Escoda, 04 July 2017

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“the greatest value lay in offering dance-makers the freedom and resources with which to experiment”

Reviewed at Washington Park Rose Garden Amphitheatre, Portland on 29 June 2017

BRINGINGOUTSIDEIN (Gioconda Barbuto)

Departures (Helen Simoneau)

Illuminations (Nicole Haskin)

Oregon Ballet Theatre

Preserving and making new the Smuin legacy

Jaime Robles, 22nd September

McIntyre knows how to infuse ballet steps with an ironic angularity and kinetics that sit just on the other side of punchy.

****1

Return to the Forest is a magical experience at Sadler’s Wells East

Maggie Foyer, 28th May

Gregory Maqoma’s immersive Return to the Forest delighted a captivated audience at Sadler’s Wells East with a superlative creative team and skilful dancing.

*****

NDT2 I dreamt, it was: a dynamic double bill

Mark Vicente, 28th May

Superbly balanced double bill comprising Kill Your Darlings and SAABA which highlighted the talents of the young dancers of Nederlands Dans Theater 2.

****1

Dada Masilo’s Hamlet: inimitable mix of wisdom and audacity

Maggie Foyer, 25th May

Dada Masilo wanted her audiences to feel the passion and to leave the theatre with a buzz. In her Hamlet, the commitment of the cast ensures this message still holds true.

****1

Glorious debuts in Ashton’s La Fille mal gardée at The Royal Ballet

Deborah Weiss, 23rd May

Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.

****1

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Leigh Donlan, 22nd May

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

*****

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Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.