Haydn, Debussy and Unsuk Chin in a magical setting

By Stephen Pritchard, 04 June 2019

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“a profoundly impressive performance”

Reviewed at Troldhaugen: Troldsalen, Bergen on 3 June 2019

Haydn, String Quartet no. 66 in G major "Lobkowitz", Op.77 no.1, Hob III:81

Chin, ParaMetaString

Debussy, String Quartet in G minor, Op.10

Oslo String Quartet

Geir Inge Lotsberg, Violin

Liv Hilde Klokk, Violin

Magnus Boye Hansen, Violin

Øystein Sonstad, Cello

Energetic Currentzis and Utopia at the Elbphilharmonie

Mengguang Huang, 12th May

From Berg’s crystalline intimacy to Dionysian Mahler, Teodor Currentzis and Utopia defy orchestral tradition with standing musicians, spatial acoustics and an emotional intensity that breathes new life into the concert life.

****1

Korngold and Mahler from Ray Chen, Vasily Petrenko and the RPO

Roy Westbrook, 12th May

Few violin concertos soar from the first bar as Erich Korngold’s does, especially as in Ray Chen's high-wire account at the Royal Albert Hall.

****1

Alexander Malofeev conjures sophistication at the Concertgebouw

Clare Varney, 10th May

Sitting low on the piano stool and with his head gently bobbing from side to side, this is music to listen to on repeat.

****1

Era-defining string sound in the Liverpool Phil’s Mahler 9

Rohan Shotton, 10th May

Domingo Hindoyan nears his five-year anniversary at the RLPO with Mahler's Ninth Symphony.

****1

Redemption and musical caffeine: Nelsons conducts Mahler 8 in Vienna

Mark Pullinger, 10th May

Sunday morning Mahler at the Wiener Konzerthaus sees Andris Nelsons concluding his symphony cycle with the Vienna Philharmonic in shattering fashion.

****1

Expressive 18th-century music from the Belgrade Philharmonic

Peter Connors, 8th May

Julien Chauvin leads the Belgrade Philharmonic in spirited performances of varied music by CPE Bach and Haydn, with local star flautist Ana Kaličanin Radivojević as soloist.

****1

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.

Bergen International Festival: Haydn, Debussy and Unsuk Chin in a magical setting