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Loss and foreboding from Pappano and the LSO

By Chris Garlick, 16 March 2020

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“a vision of a world blown apart, crushed and licking its wounds”

Reviewed at Barbican Hall, London on 15 March 2020

Vaughan Williams, Fantasia on a Theme by Thomas Tallis

Britten, Violin Concerto, Op.15

Vaughan Williams, Symphony no. 6 in E minor

Vilde Frang, Violin

London Symphony Orchestra

Sir Antonio Pappano, Conductor

A dream of a Gerontius from Pappano, the LSO and Chorus

Roy Westbrook, 21st April

Giving their 27th performance of the oratorio, the London Symphony Chorus excel as angelic angels and demonic demons.

****1

Pappano and the LSO: a thrilling collision between heaven and hell

Charlotte Gardner, 16th April

Vilde Frang joins Sir Antonio Pappano and the London Symphony Orchestra at the Barbican for transcendent Korngold alongside darker fare.

****1

Han Kang’s The White Book takes on a compelling new life

Peter Quantrill, 5th March

At the Barbican, Laura Bowler's new work for Barbara Hannigan translates Han Kang's novel into a soundscape of icy stillness

****1

A curious evening from Noseda, Kopatchinskaja and the LSO

Mark Valencia, 26th February

Good, bad, but never ugly, a curious evening unfolds at the Barbican, inspired at times, ill-judged in places.

***11

Borodin steps into the symphonic limelight: Noseda and the LSO

Mark Pullinger, 15th February

Seong-Jin Cho continues his Artist Portrait series with the LSO by performing Chopin's poetic Second Piano Concerto.

****1

Rattle and the LSO sell a travel package to Hungary and Spain

Roy Westbrook, 18th January

Opening her LSO Artist Portrait series, Patricia Kopatchinskaja plays Béla Bartók’s Second Violin Concerto before Rattle and the LSO whisk the audience to Falla’s Andalusia.

****1

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Chris Garlick

Chris Garlick is the co-founder of Signal Gallery in Hoxton. His first degree was in music, training as a classical composer. Chris has written about art frequently in Art of England magazine, Artist and Illustrator for online blogs.