Antonio Pappano and the Orchestra of the Accademia Nazionale di Santa Cecilia celebrate the Risorgimento

By Laura Kate Wilson, 22 March 2011

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Reviewed at The Bridgewater Hall, Manchester on 18 March 2011

Verdi, Aida: Sinfonia

Liszt, Piano Concerto no. 1 in E flat major, S 124

Respighi, Fontane di Roma (Fountains of Rome)

Respighi, Pini di Roma (Pines of Rome)

Orchestra dell'Accademia Nazionale di Santa Cecilia

Sir Antonio Pappano, Conductor

Boris Berezovsky, Piano

Yunchan Lim, Daniel Harding and the Santa Cecilia in Seoul

SangKwon Lee, 4th December

Daniel Harding and the Orchestra dell’Accademia Nazionale di Santa Cecilia choose proportion over spectacle as their Asian tour reaches Seoul.

****1

Sir Antonio Pappano returns to Santa Cecilia for Mozart and Bruckner

Pia Maltri, 30th October

Now Director Emeritus of the Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Antonio Pappano conducts the rarely heard Mass in F minor by Anton Bruckner.

****1

Lorenzo Viotti conducts the death and rebirth of Spring in music

Alissa Balocco, 8th February

The Swiss conductor returns to the Accademia Nazionale di Santa Cecilia, presenting a triptych of pieces by Schumann, Debussy and Zemlinsky inspired by the season of renewal.

****1

Bereft blues as the Santa Cecilia and Hrůša play at Prague Spring

Frank Kuznik, 18th May

Lackluster Gershwin undercuts an otherwise impressive outing by Jakub Hrůša and the Orchestra dell’Accademia Nazionale di Santa Cecilia.

****1

Kirill Gerstein: a Mozartian master with the Santa Cecilia

Alissa Balocco, 25th January

The pianist enchants the audience with Mozart's Piano Concerto no. 20 in D minor, conducted by Leonidas Kavakos.

***11

Pappano and Levit take the Santa Cecilia on an incredible journey

Alissa Balocco, 2nd November

Levit offers impeccable Beethoven, while Pappano enchants the Rome audience with Cherubini and Sibelius.

****1

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Laura Kate Wilson

Laura has an MA in English from the University of St Andrews, and has worked as a features writer and a freelance reviewer. She is fascinated by all aspects of opera, but has a particular interest in the role of the baritone on the operatic stage and a passion for the works of Puccini.