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In the limelight: the ROH Orchestra gets to shine on stage

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“Rachvelishvili’s performances had an operatic level of expression”
Reviewed at Royal Opera House, Covent Garden, London on 8 February 2019
Stravinsky, Feu d'artifice (Fireworks), Op.4
Rachmaninov, Christ is risen, Op.26 no.6
Rachmaninov, All passes, Op.26 no.15
Rachmaninov, It cannot be, Op.34 no.7
Rachmaninov, She is as beautiful as noon (Ona, kak polden′, khorosha), Op.14 no.9
Rachmaninov, Summer Nights, Op.14 no.5
Rachmaninov, When yesterday we met, Op.26 no.13
Rachmaninov, We shall rest, Op.26 no.3
Rachmaninov, Do not sing, my beauty (Ne poy krasavitsa pri mne), Op.4 no.4
Rachmaninov, Vocalise, Op.34 no.14
Rachmaninov, How fair this spot (Zdes' khorosho), Op.21 no.7
Tchaikovsky, Suite no. 3 in G major, for orchestra, Op.55
Anita Rachvelishvili, Mezzo-soprano
Orchestra of the Royal Opera House Covent Garden
Sir Antonio Pappano, Conductor
The Royal Ballet and McGregor: stunning dancing but nothing really new
***11
The Royal Ballet’s Mayerling: violent, feral, tortured dance
****1
The Turn of the Screw at RBO Linbury: Darkness and denial
*****
A riveting Rigoletto revival at the Royal Opera House
****1
Siegfried at the RBO: Kosky and Pappano surprise and delight
*****
A new Albrecht makes a polished Giselle shine even brighter
****1
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