Dutilleux, Bartók, Beethoven: Paavo Järvi's night of forgotten masterpieces with the Orchestre de Paris

By Leopold Tobisch, 25 March 2013

Loading, please wait...

See full listing

Reviewed at Salle Pleyel, Paris on 21 March 2013

Dutilleux, Symphony no. 1

Bartók, Violin Concerto no. 2, Sz 112

Beethoven, Symphony no. 1 in C major, Op.21

Orchestre de Paris

Paavo Järvi, Conductor

Gil Shaham, Violin

Orchestre de Paris and Mäkelä wow Amsterdam’s Concertgebouw

Max Lima, 18th March

Under its Music Director Klaus Mäkelä, the French orchestra returns to the Concertgebouw for an exhilarating concert with pianist Anna Vinnitskaya.

****1

New season, new horizons: Salonen opens the Elbphilharmonie

Mengguang Huang, 3rd September

Salonen and the Orchestre de Paris opened the Elbphilharmonie season with a vivid journey from Strauss’s dramatic energy, through a reflective new Horn Concerto, to Sibelius’s luminous, precise grandeur.

****1

Rach 4 redefined: Mäkelä and Yunchan Lim set a new benchmark in Seoul

SangKwon Lee, 11th June

In Yunchan Lim’s hands the score to Rachmaninov's Fourth Piano Concerto emerges as a small revelation, conspicuously succeeding where so many others have floundered.

*****

Klaus Mäkelä and the Orchestre de Paris paint vivid pictures in Vienna

Mark Pullinger, 23rd February

Maurice Ravel the orchestrator takes centre stage at the Musikverein in an evening of descriptive aural painting.

****1

Khatia Buniatishvili in search of her lost fingers

Alain Lompech, 30th October

Rachmaninov's Second Piano Concerto turns out to be a shipwreck for the Georgian pianist, despite an admirable Orchestre de Paris and conductor (Kirill Karabits).

*1111

Fresh and flamboyant: Mäkelä and the Orchestre de Paris at the Proms

Mark Thomas, 3rd September

Klaus Mäkelä presents fresh and dynamic takes on French masterpieces from Debussy and Berlioz, the Orchestre de Paris providing colour and vigour in Stravinsky.

*****

More reviews...

Leopold Tobisch

Leopold is currently working on his PhD, examining the music and politics in Paris during the events of May '68. A violinist, amateur photographer and overall musical omnivore, he is currently living in Paris in order to further his PhD research.