A.I.M by Kyle Abraham with guest artist Taylor Stanley bring a postmodern vibe to an early MTV-era playlist. One of the most bewitching things you're likely to encounter this year.
Acclaimed violinist and 2024 MacArthur Fellow Johnny Gandelsman invited four choreographers to join him on a marathon through Bach's six cello suites. His musicianship was the highlight of the evening.
Anthony Tudor and Merce Cunningham provided the lighter fare in a mixed bill that featured two world premieres from Kevin Iega Jeff, a veteran of the Chicago dance scene, and Julian Donahue, a newer voice.
In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into the 21st century deserve to be celebrated, loudly.
Sarah Navin started ballet at age 6, as she couldn’t walk in a straight line without skipping and twirling. As well as studying classical dance, she went on to perform in hip-hop ensembles, cheerleading squads, and developed a love of musical theatre – starring in shows such as The Boy From Oz, Legally Blonde The Musical and Rock of Ages. She is a Sydney-based television journalist by day, and swaps political reporting for dancing at night, either performing or attending performances – where she enjoys the chance to write creatively through a critiquing lens.
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