Tim Albery's 2010 production of Tannhäuser, receiving its first revival at Covent Garden, begins with a stylish opening 20 minutes, but thereafter things become rather bland.
In what way would you set the stage for an exploration of freedom? Jasmin Vardimon’s vision adorns the Sadler’s Wells stage with large, spinning set pieces dripping with duct tube and green vines of industrial plastic. A camouflaged blanket made of rustling synthetic leaves makes sporadic entrances and exits to the scene.
With a background in Dance Studies, Literature and Linguistics (MA English Studies from Zurich University and PhD in dance philosophy from the University of Roehampton in London) and a formation as a modern dancer (Ballet Arts, NYC), Katja is a freelance dancer, choreographer, dance researcher and dramaturge currently living in Berlin.
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