A case of confused identity: Basel's new Peer Gynt ballet

Rambert’s double bill, clearly a joyous experience for the many who leaped to their feet whooping, but perhaps a bit lightweight for anyone not quite so easily satisfied with novelty.

Ballet BC’s double bill puts Crystal Pite’s marvellous, shadowy Frontier in conversation with the folk-tinged comedy of Johan Inger’s Passing.

A mixed bill with mixed results from Hubbard Street Dance Chicago at the Joyce Theater in New York.

Swedish choreographer, Johan Inger, reimagines Carmen for The Australian Ballet, and purports to flip the script on "toxic masculinity" and the 200 year old tale of power and passion.  

It's not an easy watch, but Johan Inger's Carmen is a brave commentary on misogyny in today's society. English National Ballet give of their best.

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.