Style and slapstick in Boston Early Music Festival's Pergolesi double-bill

With Aigul Akhmetshina and Seokjong Baek in the title roles, there are reasons to be optimistic, but The Royal Opera’s revival of Richard Jones’ production is a mixed bag.

Kip Williams and ENO mount an extraordinary new production of Du Yun and Royce Vavrek’s multifaceted opera, with performances of great emotional directness broadcast live on camera.

A traditional Marriage of Figaro entertains with a strong cast, eye-catching design and lighting, and Amanda Holden’s earthy libretto.

Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.

Excellent performances cannot turn a conventional production of Massenet’s Werther into a dramatic experience for the 21st century. 

Neil Armfield’s production for State Opera South Australia combines a sparkling night of entertainment with first class musical values.