Philharmonia, John Wilson, Leon McCawley: 20th-century English music at the Royal Festival Hall

By Julia Savage, 28 January 2013

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Reviewed at Royal Festival Hall, London on 20 January 2013

Walton, Portsmouth Point Overture

Delius, On hearing the first cuckoo in spring

Ireland, Piano Concerto

Vaughan Williams, Fantasia on a Theme by Thomas Tallis

Elgar, In the South (Alassio) - Concert Overture for orchestra, Op.50

Philharmonia Orchestra

John Wilson, Conductor

Leon McCawley, Piano

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Renes replaces Runnicles in a remarkable Philharmonia Bruckner 8

Dominic Lowe, 19th February

Stepping in for Sir Donald Runnicles at very short notice, Lawrences Renes conducts the Philharmonia in a sleek and vivid reading of Bruckner's magisterial Eighth Symphony.

****1

Karpman’s opera Balls tells a great story, but overshoots the line

David Karlin, 20th November

An entertaining portrayal of the 1973 “Battle of the Sexes” tennis match between Billie Jean King and Bobby Riggs is marred by ham-fisted amplification.

**111

Giltburg and Foster celebrate the Philharmonia’s 80th birthday

Nick Boston, 17th November

Boris Giltburg emphasising the expression in not one but two piano concertos, with commanding performances from Lawrence Foster and the Philharmonia.

****1

Paavo Järvi and the Philharmonia: a debut and a swansong

Roy Westbrook, 9th November

Alena Baeva impresses in her belated Philharmonia debut, playing Max Bruch’s evergreen First Violin Concerto.

****1

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Julia Savage

Julia works behind the scenes at Westminster Abbey as a PA. Outside of her job, she sings with a variety of ensembles in London and further afield, and undertakes freelance editorial and writing projects – from concert programmes to tasting notes.