Tobias Picker's opera without words

By Hilary Stroh, 11 March 2016

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Reviewed at Kennedy Center: Concert Hall, Washington on 10 March 2016

Picker, Opera Without Words (Concerto for Orchestra) (World première)

Liszt, Piano Concerto no. 2 in A major, S 125

Brahms, Symphony no. 3 in F major, Op.90

Brahms, Hungarian Dance no. 3 in F major

Brahms, Hungarian Dance no. 6 in D major

Brahms, Hungarian Dance no. 10 in E major

National Symphony Orchestra

Jean-Yves Thibaudet, Piano

Christoph Eschenbach, Conductor

Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

Susan Stempleski, 12th February

Gianandrea Noseda leads glowing performances of Berg and Beethoven, while James Ehnes shines in Korngold's Violin Concerto .

****1

Young and Lamsma bring levity to National Symphony Orchestra

Sydney Boyd, 20th November

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

****1

NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

****1

National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

****1

Rollicking Mahler Fifth may have just put NSO on the global map

David Rohde, 20th February

Clarion details from start to finish result in a spectacular Mahler Fifth from Noseda and the National Symphony Orchestra

*****

Tetzlaff redefines clarity with the National Symphony Orchestra

Sydney Boyd, 24th January

Christian Tetzlaff proves once again why audiences can’t get enough of his sound in a program of Dvořák and Schumann with Christoph Eschenbach at the helm.

****1

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Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

Tobias Picker's Opera Without Words: A feast for the orchestra in Washington