Brahms meets Schlumpf: a marriage of old and new in Baden

Bei Bringuiers Abschied von der Tonhalle herrscht mit Strauss' Don Quixote musikalisches Theater auf dem Podium, bevor Yuja Wang Prokofjews Drittes spielt.

Two prodigies, with a surplus of imagination and more interest in the moment than in creating long arcs of music, join the Orchestre National du Capitole de Toulouse in Paris. 

From the earthy joy of Meistersinger to the sublime textures of Debussy, Daniele Gatti channels the Dresdeners' legendary, layered warmth into an unforgettable evening of pure acoustic luxury.

Vladimir Jurowski and the Rundfunk-Sinfonieorchester Berlin deliver a lean, razor-sharp exploration of captivity and survival, balancing Beethoven’s and Brahms’ structural clarity against the devastating, high-fidelity distortion of Henze’s Ninth Symphony.

Solomon Rosowsky, Shostakovich and Tchaikovsky form a matinee programme whose deeper connections gradually came into focus. 

French clarinettist Raphaël Sévère unearths beauty in Nielsen’s concerto and the Hong Kong Sinfonietta impress in two settings of Pan’s antics at the French May Festival.