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Hans Werner Henze Pollicino enters the wood at Teatro Regio

By Benedetta Saglietti, 30 May 2016
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Reviewed at Teatro Regio di Torino, Turin on 28 May 2016
Programme
Henze, Pollicino
Performers
Teatro Regio di Torino
Claudio Fenoglio, Conductor
Dieter Kaegi, Director
Italo Grassi, Set Designer, Costume Designer
Giorgio Fidelio, Pollicino
Kate Fruchterman, Pollicino's mother
Michele Govi, Pollicino's father
Emilio Marcucci, The Ogre
Silvia Beltrami, The Ogre's wife
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Laura Servidei, 23rd February

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti. 

***11
The Pearl Fishers: Turin opens its operatic season
Renato Verga, 3rd October
The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.
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The first modern staged performance of Paër’s Agnese in Turin
Laura Servidei, 17th March
The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.
***11
In Turin's Trovatore, the women carry the day
Renato Verga, 10th October
Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.
***11
A strong Italian cast for Così fan tutte in Turin
Laura Servidei, 1st July
Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.
****1
On the female condition: two 20th-century operas in Turin
Renato Verga, 16th May
Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.
****1
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Read reviews of
Dieter KaegiEmilio MarcucciHans Werner HenzeItalo GrassiKate FruchtermanMichele GoviSilvia BeltramiTeatro Regio di Torino
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Benedetta Saglietti
Benedetta Saglietti
Benedetta Saglietti hold a degree in music history. She is the author of Beethoven, ritratti e immagini: uno studio sull’iconografia (Beethoven, Portraits and Images: An Iconographical Study) and a contributor of program notes for musical institutions. Her book reviews appeared in scholarly journals such as Studi Filosofici, Síneris, Revista de Musicología, Ad Parnassum. Selected articles and essays are here.