Thomas Adès: Mixing the new with the old

By Mark Thomas, 17 August 2016

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“Adès encouraged tremendous attack and bite in the more gritty sections”

Reviewed at Royal Albert Hall, London on 15 August 2016

Prokofiev, Symphony no. 1 in D major "Classical", Op.25

Coll, Four Iberian Miniatures (London premiere)

Adès, Lieux retrouvés (UK premiere)

Beethoven, Symphony no. 8 in F major, Op.93

Augustin Hadelich, Violin

Steven Isserlis, Cello

Britten Sinfonia

Thomas Adès, Conductor

At Aldeburgh Festival, Nicholas Daniel plays the Pied Piper of Cool

Christopher Woodley, 13th June

For the Aldeburgh Festival's 75th anniversary celebrations, Daniel delivered a great performance of Vaughan Williams's Oboe Concerto, in the company of Gustav and Imogen Holst.

****1

Britten Sinfonia ablaze on the BBC Proms’ hottest night

Nick Boston, 6th September

Inventiveness, joyful performance and intuitive communication from Thomas Gould and the Britten Sinfonia in recompositions from Richter, Auerbach and Tippett.

*****

Donizetti's L’esule di Roma: a Roman triumph for Opera Rara

Dominic Lowe, 11th May

This is the 27th Donizetti opera given the Opera Rara treatment and their ability to spot a hidden gem remains as adroit as ever.

****1

Love and death in Scotland: Mercadante’s Il proscritto

David Karlin, 28th June

A great orchestral performance of an exciting score don't quite mask the dramatic weaknesses of Opera Rara's latest.

***11

Holst's Sāvitri: near-death experience in the Barbican

Roy Westbrook, 4th May

A game of three halves from the Britten Sinfonia, with a late appearance by three star soloists.

****1

Colin Currie conducts Reich/Richter at the Barbican

Benjamin Poore, 23rd October

A new collaboration from Gerhard Richter and Steve Reich tantalises and enthralls in London.

****1

More reviews...

Mark Thomas

A lifelong devotee of classical music, Mark caught the bug after listening to The Planets, The Rite of Spring and Beethoven’s Fifth when he was knee-high to a grasshopper. He has degrees in non-musical subjects and currently works as a Chartered Governance Professional, but these have proved to be mere distractions from the wonders of sonatas, concertos and symphonies. He has been reviewing for Bachtrack since 2016, plays viola and violin (very shakily) and used to sing a bit (even more shakily).

Prom 40: Mixing the new with the old: Thomas Adès at the Proms