Prom 47: A fantastic evening as Marin Alsop leads the Orchestra of the Age of Enlightenment

By Alice Hughes, 21 August 2013

Loading, please wait...

See full listing

Reviewed at Royal Albert Hall, London on 17 August 2013

Brahms, Tragic Overture, Op.81

Schumann, Symphony no. 4 in D minor, Op.120

Brahms, Ein deutsches Requiem (A German Requiem), Op.45

Rachel Harnisch, Soprano

Henk Neven, Baritone

Orchestra of the Age of Enlightenment

Marin Alsop, Conductor

L’Orfeo, the world’s first great opera, premieres at Glyndebourne

Roy Westbrook, 14th June

One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,

****1

Sir Simon Rattle and the OAE make Berlioz sound radically new

Andrew Larkin, 11th June

Simon Rattle and the Orchestra of the Age of Enlightenment deliver a revelatory all-Berlioz programme, crowned by a sensational Symphonie Fantastique of rare clarity, colour and imagination.

*****

Václav Luks and the OAE deliver operatic scale in Haydn’s Creation

Nick Boston, 27th May

The Orchestra of the Age of Enlightenment under Václav Luks are joined by their own choir and strong soloists for a fresh and colourful performance of Haydn’s Die Schöpfung.

****1

Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

**111

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

More reviews...

Alice Hughes

Alice studied Music and French Literature at the universities of Cardiff and Oxford. An avid concert-goer from a young age, she has a particular fondness for the music of Debussy, Satie and Rachmaninov and a lifelong interest in Paris as a hub of musical activity from the Belle Epoque onwards.