Prom 63: Explosive Rachmaninov from Yuja Wang

By Stephen Pritchard, 06 September 2019

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“Wang at her most brilliant, despatching fistfuls of notes with breathtaking ease”

Reviewed at Royal Albert Hall, London on 5 September 2019

Rachmaninov, Piano Concerto No. 3in D minor

Brahms, Symphony No. 2 in D major

Rachmaninov, Vocalise, Op.34 no.14 (Encore)

Brahms, Hungarian Dance no. 1 in G minor (Encore)

Yuja Wang, Piano

Staatskapelle Dresden

Myung-Whun Chung, Conductor

Schumann from the inside out: Yunchan Lim and Staatskapelle Dresden

SangKwon Lee, 1st February

Yunchan Lim seldom seeks the spotlight in a reflective, conversational account of Schumann's Piano Concerto, conducted by Myung-whun Chung.

*****

High-caliber Schumann and Mahler at Dvořák’s Prague

Frank Kuznik, 14th September

Daniele Gatti and Kirill Gerstein offer fresh, invigorating takes on two warhorses with the Staatskapelle Dresden.

*****

Thielemann bids farewell to Dresden with an excellent new FroSch

Ako Imamura, 27th March

David Bösch directs a creative and thoughtful new production of Die Frau ohne Schatten at the Semperoper in Christian Thielemann's final opera as Principal Conductor.

*****

Detlev Glanert's Die Jüdin von Toledo premieres at the Semperoper

Zenaida des Aubris, 10th February

Robert Carsen stages the world premiere production of Glanert's opera, based Franz Grillparzer's 1851 play, in stringent, minimalist style.

*****

Moving singing, but missed opportunities in Dresden’s new Aida

Zoltán Szabó, 17th March

Katharina Thalbach offers a traditional staging at the Semperoper, with fine vocal performances led by Krassimira Stoyanova, Francesco Meli and Oksana Volkova.

***11

Peter Konwitschny returns to the Semperoper with Les Huguenots

Laura Servidei, 29th June

John Osborn leads a very successful premiere of Peter Konwitschny's new production of Meyerbeer's Les Huguenots in Dresden

****1

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.