Maxim Emelyanychev and the Scottish Chamber Orchestra offer a Baroque-inspired programme of Bach, Handel, Britten, a modern take on Scarlatti and wonderfully zany Schnittke.
In Edinburgh’s Usher Hall, Mozart’s final three symphonies are given a vibrant interpretation by the Scottish Chamber Orchestra conducted by the effervescent Maxim Emelyanychev.
Andrew Manze conducts an all-Adams programme in Glasgow, Maximiliano Martín the fearless soloist in Gnarly Buttons, bookended by mesmerising Shaker Loops and exuberant Fearful Symmetries.
Three sopranos, two Glorias and one French composer who isn’t great box office: the Scottish Chamber Orchestra and Chorus sound great, but where is the audience?
Hedy is a former Bachtrack German Editor and Press Liaison. She's a musicologist, a great fan of British music of the 19th and 20th century, a folk musician, bibliophile and a coffee and tea aficionado. She also likes singing, cats, and to make all kinds of sweet treats.
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.