Elegiac, violent, purposeful Shostakovich 11

By David Karlin, 07 September 2017

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“in the hands of Jurowski and London Philharmonic Orchestra, the intensity never flagged”

Reviewed at Royal Albert Hall, London on 6 September 2017

Stravinsky, Chant funèbre, Op.5

Traditional, Song of the Volga Boatmen (arr. Stravinsky)

Prokofiev, Violin Concerto no. 1 in D major, Op.19

Ysaÿe, Violin Sonata no. 5 in G major Op.27 no.5

Britten, Russian Funeral, for brass band

Shostakovich, Symphony no. 11 in G minor "The Year 1905", Op.103

Alina Ibragimova, Violin

London Philharmonic Orchestra

Vladimir Jurowski, Conductor

A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne

Dominic Lowe, 23rd May

Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.

****1

Glyndebourne’s first Tosca: vocally strong but imperfect

David Karlin, 21st May

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

***11

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

Karabits and Szeps-Znaider carouse with the LPO

Christopher Woodley, 8th April

The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.

****1

Portraits and pictures from Ibragimova, Gardner and the LPO

Roy Westbrook, 1st April

From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.

****1

Ticciati and the LPO deliver epic Sibelius plus lively Wennäkoski

Nick Boston, 25th March

Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.

****1

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

Prom 71: Elegiac, violent, always purposeful Shostakovich from Jurowski and the LPO