Psycho Live! thrills and chills at Colston Hall

By Alexandra Hamilton-Ayres, 11 April 2014

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Reviewed at Bristol Beacon: Beacon Hall, Bristol on 10 April 2014

Herrmann, Psycho, narrative for string orchestra

British Sinfonietta

Anthony Gabriele, Director

More gold than corn: María Dueñas plays Korngold at the Barbican

Mark Pullinger, 22nd May

The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.

****1

Intimate colossus: Daniil Trifonov with the Rotterdam Philharmonic

Max Lima, 21st May

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores.

****1

Heavenly Mahler – and Strauss – from Lucy Crowe and the LSO

Roy Westbrook, 21st May

Songs and symphonies from Sir Simon Rattle and the London Symphony Orchestra, concluding with a vision of “heavenly life” from Gustav Mahler.

****1

The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Mark Valencia, 21st May

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

****1

Conviction, passion and clarity: Sir Stephen Hough at Wigmore Hall

Christopher Woodley, 19th May

Fragments by Brahms, Schoenberg and Schubert orbit Beethoven's Waldstein and Schumann's Carnaval in another masterful recital from Sir Stephen Hough.

****1

Spellbinding Gewandhausorchester Leipzig in Vienna’s Musikverein

Chanda VanderHart, 18th May

In Rachmaninov's Second Piano Concerto, Yulianna Avdeeva commands attention through sheer innate charisma, anchored in intense engagement.

*****

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Alexandra Hamilton-Ayres

Alexandra Hamilton-Ayres is a Bristol-based film composer and classical electronic artist. Alexandra's passion in scoring and as a performer lie in the duality between the classical and electronica worlds, moving picture and her love for the piano. Her music has been described by The White Room Magazine as “majestic, at times monumental…the force and vastness of nature”.