Tom Creed’s witty production at Lismore Castle delivers strong singing, sharp comedy and lively orchestral playing, even if the opera’s darker supernatural edges are somewhat diminished.
Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.
Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.
Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.