Barrie Kosky stages the famous Viennese operetta as a whirlwind spectacle. Marlis Petersen shines in the title role vocally and theatrically. Michael Volle does not live up to expectations.
Given a new production by Evgeny Titov, Benjamin's second full-length opera is musically brilliant, but its examination of our inner darkness lacks heart.
Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.
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