New York City Ballet kicks off its spring season

By Ivy Lin, 24 April 2019

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“that Ratmansky quality of being both very Russian and universal at the same time”

Reviewed at Lincoln Center: David H Koch Theater, New York City on 23 April 2019

Pictures at an Exhibition (Alexei Ratmansky)

Oltremare (Mauro Bigonzetti)

Rodeo: Four Dance Episodes (Justin Peck)

New York City Ballet

Indiana Woodward, Dancer

Brittany Pollack, Dancer

Tyler Angle, Dancer

Georgina Pazcoguin, Dancer

Daniel Ulbricht, Dancer

Peter Walker, Dancer

Andrew Veyette, Dancer

Anthony Huxley, Dancer

Gonzalo Garcia, Dancer

Sara Mearns, Dancer

Russell Janzen, Dancer

New York City Ballet Orchestra

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)

New York City Ballet kicks off its spring season with a 21st-century triple bill