The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.
From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.
Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.
Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.
Flying the flag for all things classical, jazz and a bit experimental, Kay is an amateur pianist and musical scribbler. Kay has her Masters in Culture, Policy and Management from City University, London, and currently works as a fundraiser for the performing arts in New York City.
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
