Chillingly dark Ravel from the Philharmonia

By Katy Wright, 14 February 2015

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“Sabine Devieilhe... her frothy coloratura passagework was flawless”

Reviewed at Royal Festival Hall, London on 12 February 2015

Dutilleux, Correspondances

Ravel, Piano Concerto in G major

Ravel, L'Enfant et les sortilèges

Philharmonia Orchestra

Esa-Pekka Salonen, Conductor

Dame Mitsuko Uchida, Piano

Barbara Hannigan, Soprano

Chloé Briot, Soprano

Elodie Méchain, Mezzo-soprano

Andrea Hill, Mezzo-soprano

Omo Bello, Soprano

Sabine Devieilhe, Soprano

François Piolino, Tenor

Nicolas Courjal, Bass

Jean-Sébastien Bou, Baritone

Philharmonia Voices

Irina Brown, Director

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Renes replaces Runnicles in a remarkable Philharmonia Bruckner 8

Dominic Lowe, 19th February

Stepping in for Sir Donald Runnicles at very short notice, Lawrences Renes conducts the Philharmonia in a sleek and vivid reading of Bruckner's magisterial Eighth Symphony.

****1

Karpman’s opera Balls tells a great story, but overshoots the line

David Karlin, 20th November

An entertaining portrayal of the 1973 “Battle of the Sexes” tennis match between Billie Jean King and Bobby Riggs is marred by ham-fisted amplification.

**111

Giltburg and Foster celebrate the Philharmonia’s 80th birthday

Nick Boston, 17th November

Boris Giltburg emphasising the expression in not one but two piano concertos, with commanding performances from Lawrence Foster and the Philharmonia.

****1

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Katy Wright

As News Editor at Rhinegold, Katy contributes news pieces and longer features to publications including Classical Music, Music Teacher and International Piano (both digital and print editions). She writes on a freelance basis for publications including Sinfini Music and TEMPO.

L'enfant et les sortilèges: Chillingly dark Ravel from Salonen and the Philharmonia