New compositions at the Royal College of Music

By Paul Kilbey, 30 October 2012

Loading, please wait...

See full listing

Reviewed at Royal College of Music: Amaryllis Fleming Concert Hall, London on 25 October 2012

Birtwistle, Cortege, for ensemble

Cole, Veiled Litanies (World premiere)

Dougherty, Acrid Dance (World premiere)

Davies, Trumpet Concerto

RCM New Perspectives

Timothy Lines, Conductor

Marcio Da Silva, Conductor

Ryan Linham, Trumpet

Eroica: Riccardo Minasi and the WASO

Sandra Bowdler, 11th April

Guest conductor Riccardo Minasi leads the West Australian Symphony Orchestra with a program of old favourites, with outstanding contribution from trumpeter Jenna Smith

***11

A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart

Cameron Kelsall, 11th April

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

****1

Artistry at full throttle: Rafael Payare and the Pittsburgh Symphony

Sam Jacobson, 10th April

Can one be artful and musical while playing at maximum volume? In a program of López, Prokofiev and Stravinsky, Rafael Payare and the Pittsburgh Symphony answer a resounding yes.

*****

Chicago Symphony Orchestra music on death: whimper then bang

Graham Meyer, 9th April

Jakub Hrůša leads the CSO in pedestrian Janáček and Rachmaninov, but Strauss's Four Last Songs and Wagner's Tristan excerpts send audiences home deeply touched.

***11

Andris Nelsons and the BSO arrive in New York, with baggage in tow

Cameron Kelsall, 9th April

In his first New York appearance since the termination of his contract as BSO Music Director, Nelsons courts public sympathy and makes some thrilling music.

***11

Lintu, Kavakos and the SSO make the case for Shostakovich

Chang Tou Liang, 9th April

Has Shostakovich become the new Rachmaninov in Singapore? The SSO and Hannu Lintu show that he can be as popular as Rachmaninov.

*****

More reviews...

Paul Kilbey

Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.