Steve Reich world premiere in New York

By Stephen Pritchard, 07 April 2019

Loading, please wait...

See full listing

“The overwhelming sensation left by Reich’s writing is one of optimism”

Reviewed at The Shed, New York City on 6 April 2019

Reich, Reich Richter Pärt (World premiere)

Works by Pärt

Ensemble Signal, Violin

Choir of Trinity Church Wall Street

International Contemporary Ensemble

Brooklyn Youth Chorus

Wordless stories take root in ICE‘s Hannah Kendall portrait concert

Kurt Gottschalk, 23rd April

The International Contemporary Ensemble performs a program of Hannah Kendall at Columbia University’s Miller Theatre.

****1

Julia Bullock in Meditations for Joséphine at Adelaide Festival

Sandra Bowdler, 3rd March

A challenging depiction of Joséphine Baker brilliantly performed by Julia Bullock under the direction of Peter Sellars at the Adelaide Festival.

****1

ICE plays Jennie C Jones at the Metropolitan Museum

Kurt Gottschalk, 5th October

The Met Museum is currently home to three large sculptures by multidisciplinary artist Jennie C Jones, whose graphic scores are performed by the International Contemporary Ensemble.

****1

ICE shows a new and exciting side of Dai Fujikura at Miller Theatre

Kurt Gottschalk, 5th March

Building on 15 years of collaboration with the ensemble, Gilded Wings (for two clarinets and strings) revealed a new maturity in Fujikura's always enjoyable music.

*****

Jörg Widmann's somber humor at Carnegie Hall

Kurt Gottschalk, 28th January

In fragments and miniatures, the ensemble pieces were most satisfying, allowing Widmann not to build arguments but define subjects by contrast, showing a quick wit and a flair for suspense.

*****

Kopernikus revival finds inspiration – and cliché – in the afterlife

Kurt Gottschalk, 15th May

Composer Claude Vivier approaches the unknowable with a text delivered by a septet of vocalists in a language of his own invention. But the new production adds overly literal video, trading abstraction for the obvious.

***11

More reviews...

Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.

World premiere: Steve Reich at New York's coolest new venue