Marianela Núñez delivers outstanding versatility in Romeo and Juliet

By Graham Watts, 12 January 2022

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“her creation of Juliet seemed to come from within, channelling honest emotion rather than artifice”

Reviewed at Royal Opera House, Covent Garden, London on 10 January 2022

Romeo and Juliet (Sir Kenneth MacMillan)

The Royal Ballet

Alondra de la Parra, Conductor

Jonathan Lo, Director

Nicholas Georgiadis, Set Designer

John B. Read, Lighting Designer

Orchestra of the Royal Opera House Covent Garden

Marianela Núñez, Dancer

Federico Bonelli, Dancer

Ryoichi Hirano, Dancer

Marcelino Sambé, Dancer

Téo Dubreuil, Dancer

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

Marianela Núñez delivers outstanding versatility in Romeo and Juliet at Covent Garden