Strauss on screen: the OAE presents Rosenkavalier

By Dominic Lowe, 19 May 2018

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“the reduced orchestra played like clockwork, gleaming silver filigree from below the screen”

Reviewed at Queen Elizabeth Hall, London on 17 May 2018

Strauss R., Ruhe, meine Seele, Op.27 no.1

Strauss R., Cäcilie, Op.27 no.2

Strauss R., Heimliche Aufforderung, Op.27 no.3

Strauss R., Morgen! Op.27 no.4

Strauss R., Der Rosenkavalier (Salon score)

Charlotte Beament, Soprano

Orchestra of the Age of Enlightenment

Geoffrey Paterson, Conductor

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

Brandstrup Breaking Bach with the OAE at EIF

Kathy Elgin, 20th August

Kim Brandstrup choreographs Bach favourites based on hip hop and street dance. Lie back on the bean bags at Usher Hall and enjoy...

****1

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Strauss on screen: the OAE presents film adaptation of Der Rosenkavalier